Accordingly, defying a chronological narrative, the article explores a series of built and speculative projects, drawings and installations, offering a transversal reading into accumulations of tropes and relations that underpin Wilson’s work. Scanning Wilson’s oeuvre requires traversing distant territories and intimate thresholds, looking simultaneously backwards and forwards, and moving through spatial practices of writing, drawing, and building, which together define its productive complexity. Listing idiosyncrasies of Wilson’s work and reasons for delving into its multi-layered nature, the article decodes conceptual, figurative, and tectonic references from which Wilson derived his architectural vocabulary. Alluding to Peter Wilson’s book Some Reasons for Travelling to Italy (2016) and adopting its narrative device, this article invites a journey of discovery into Wilson’s own architectural universe.
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